Theatrical without the booking cost. Audience data nobody else can show you.

We've heard it from the inside. Our own film, Abductee, was offered a streaming-only deal — not because the audience wasn't there, but because booking theaters one phone call at a time costs more than it returns. That math is why most of your acquisitions never see a screen, even though a theatrical run demonstrably lifts a title's streaming performance, press, and perceived value. We built the machine that fixes the math.

1. 1

   Zero-risk deployment

   List a title; showings are proposed to independent theaters where our audience data already shows interest. Every theatrical showing is confirmed by pre-sold reservations before it occupies a screen — if a show doesn't reach its number, it simply doesn't happen and costs nothing. No P&A spend, no rentals, no booking staff. Delivery, promotion kits, live Q&As, and payouts are automated; funds route through an impartial processor directly to each party.

2. 2

   Demand you can see before you commit

   Our audience taps “I'd watch that” on films they'd see locally — small signals resolving into a geographic heat-map of latent demand. We can tell you, before a single booking, which of your titles has 150 interested viewers around which cities. Theatrical stops being a leap of faith and becomes a targeting exercise.

3. 3

   The Verified Performance Report

   Every run generates a standardized, platform-verified report: tickets sold, cities, seats filled, speed to greenlight, audience scores, and merchandise engagement — confirmed attendance and spend tied to real accounts, not survey claims. For acquisitions, it turns “unproven film” into a measurable asset. For your existing catalog, it's renewal-negotiation and marketing evidence generated as a byproduct of revenue-positive screenings.

4. 4

   Theatrical that feeds streaming

   Screenings are events — live director Q&As, local press, merchandise — that create word of mouth precisely where the film played. Tracked links from tickets and film pages let us measure downstream streaming lift by market, so the theatrical-drives-digital story arrives with numbers attached.

Per-showing economics identical to our filmmakers': the platform's transparent share comes out only when a show is confirmed and revenue exists. Catalog-scale deployment and licensed access to demand data are priced as simple subscriptions — and we'll pilot a title with you first, so the value is proven on your own numbers before you pay for anything.

The venue network is live and growing, built theater by theater on a tour that's happening right now. The audience list compounds with every show. The first distributors in will get the densest data, the warmest venues, and a hand in shaping the report format buyers will come to expect.